Everything You Ever Wanted to Know About CNC But Were Afraid to Ask

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When I first started getting in touch with my kinky side, I became obsessed with consensual nonconsent (CNC)—also known as rape or ravishment fantasies—as a way to lose control. By obsessed I mean I thought about it daily, researched it constantly, and knew it was something I needed to do. I started reading Casual Encounters on Craigslist regularly (back when that section still existed) to see what my options might be. Ultimately I was too scared to go that route, though, and it wasn’t until I met Vagabond that I was able to make my dream come true.CNC fantasies are incredibly common. In several studies, more than half of women surveyed reported fantasizing about forced sex. But how do you go about making this kind of fantasy a reality?

Communication is key when planning a CNC scene, and the more the better. It may not sound sexy to discuss every little detail in advance, but doing so will help you enjoy the scene in the moment that much more. Think of it as akin to choreographing a dance. If you practice a few steps at a time and slowly add to them, the end result will be a seamless performance that incorporates improvisation and creativity rather than a clumsy attempt that results in you stepping on your partner’s toes.

Over the course of our relationship, we’ve done a fair amount of CNC and have compiled this checklist to help us—and hopefully you and your partner—design fun and fulfilling scenes. We’ve also provided an example of how we used the checklist to orchestrate our own scene.

Keep in mind that you don’t need to incorporate everything in the kitchen sink into one scene. If this is your first time doing CNC, start slow and only include a few elements. Over time, you can add more. You should learn basic steps before you try to ballroom dance.

CNC Scene Checklist

Overarching Goals
  • Goal feelings. Why are you interested in CNC? What feeling do you want to achieve by enacting a scene like this? Communicate these feelings to your partner to set the tone of the scene.

    • If you’re the submissive, do you hope to feel ravished? Brutalized? Humiliated? Controlled? Something else?
    • If you’re the dominant, do you hope to feel even more in control? Savage? Sadistic? Something else?
  • Orgasms. Are orgasms expected or desired for one or both people? If so, how will they be incorporated?
  • Roles. Do you want to pretend to be other people in the scene (i.e., burglar and unsuspecting resident) or will you be yourselves?

Limits
  • Safewords. What safewords will you use? Make sure you decide on one that means “stop the scene” (i.e., “red”) and one that means “slow down/change what’s happening” (i.e., “yellow”). Come up with a gesture or other nonverbal safeword as well in case the sub can’t speak in the moment. Practice using the safewords beforehand.
  • Play intensity. How will the intensity of play in the scene differ from your regular play? For example, if you’re normally a very obedient sub, will you fight back?
  • Language. How will the language you use in the scene differ from what you say during your usual scenes, if at all? What type of language is unacceptable? For example, if you’re not into being called a “cunt” during regular play, will that word still be off limits in the CNC scene, or will it be allowed to increase the intensity? Will words like “no” or “stop” be used and ignored?
  • Rough body play. What elements of rough body play will be used? This is probably one of the most important things to discuss because serious injury can result if you don’t. Leave no stone unturned in this discussion. Consider:

    • Biting
    • Choking
    • Hair pulling
    • Hitting
    • Kicking
    • Pinching
    • Punching
    • Scratching
    • Slapping
    • Anything else you can think of
  • Physical limitations. What body parts are off limits for rough body play? For example, if you don’t want to be kneed in the balls or slapped in the face, clearly set those limits.

    • Are there physical injuries or limitations that need to be taken into consideration? For example, does one of you have an old shoulder or knee injury that could flare up if you move a certain way or apply too much pressure?
  • Practicing. Will you be incorporating any new rough body play elements that you’ve never tried before? If so, practice them first. For example, if you as a sub have never hit your dom before but you know you will in your CNC scene, set aside time to practice this beforehand (not during a scene) so that you can feel confident in your technique during the scene.
  • Implements. Which implements, if any, will you use in the scene (i.e., rope, paddle, flogger, belt, knife, etc.)? Will they be used any differently than in regular play? If so, how?
  • Marks. Are marks or bruises acceptable? If so, are any areas off limits? For example, if you have to go to work the next day, you might not want marks where coworkers can see them.

Logistics
  • Setting. When and where will the scene take place?

    • If it’s inside, what rooms will you be in? Will you stay in one room the whole time or move from room to room?
    • What obstacles or objects should be moved out of the way beforehand to avoid damage to yourselves or the objects (i.e., extension cords, precarious breakables, awkwardly positioned furniture, dumbbells on the floor, etc.)?
  • Witnesses. Is there a chance you might be seen or heard by other people? If so, what can you do to make this less likely?

    • Inside. If your scene is inside, consider:

      • Prohibiting screaming or yelling or only doing so in rooms where neighbors or others are least likely to hear
      • Lowering blinds or shades so that neighbors don’t see anything that might prompt them to call the police
      • Limiting use of walls to those that are not shared with neighbors
      • Donning costumes (i.e., ski mask, Halloween mask, etc.) where you won’t be seen
    • Outside. If your scene is outside, there are a whole host of additional things to consider involving legality. Do your research.
  • Beginning. How will your scene begin? Will it involve an element of surprise or will both people know exactly when it starts? This may be dictated by whether you’re pretending to be someone else. For example, if one of you is masquerading as an intruder, it’s likely there will be some element of surprise. If this is the case, discuss the parameters. For instance, if you have no clue that your partner may grab you from behind and hold a knife to your throat, you could be startled to the point of causing an unintended injury.
  • Clothing. What type of clothing will each of you wear? Consider:

    • What costume elements, if any, you’ll need (masks, etc.)
    • How easy or difficult the clothing is to remove (lots of buttons or fiddly hooks might be problematic)
    • Whether damage to the clothing is acceptable (probably not a great idea to wear your favorite dress if it’s going to get ripped)
    • Where you’ll be before the scene starts and how that affects your clothing choices (if the scene starts right as you arrive home from work, for example, you’ll need to plan your outfit carefully)
  • Placement of implements. If you’re using implements in your scene, where will they be? Consider:

    • When you’ll need them in the scene and where you’ll be at that point
    • Whether you want them in plain sight to increase tension or whether you want them somewhat hidden to maintain an element of surprise
    • Where to place them to avoid fumbling or digging around, especially if you’ll be in the dark or dim light
  • Ending. How will the scene end so that it’s clear to both of you it’s over?
  • Aftercare. What is your aftercare plan? Keep in mind that CNC scenes can be extremely intense for the sub and the dom. Make sure you discuss possible aftercare needs for both of you.  

A Sample Scene

Planning Our Scene

Goals. Before our most recent CNC scene, Vagabond and I discussed the details over the course of several days leading up to it. Because we’ve done CNC a fair amount, our overarching goals had already been established—basically to intensify the power exchange. My goal for this particular scene was to fight back more than I had in the past, and one of his goals was to incorporate rope. We also knew that we would be ourselves during the scene and wouldn’t be playing characters, so to speak.

Limits. With safewords set (we use the traffic light system—red, yellow), we moved on to figuring out the language and types of rough body play we wanted to incorporate. I was comfortable with any derogatory language he wanted to use during the scene as long as it didn’t make me feel subhuman, which is a hard limit for me (i.e., “you’re a piece of shit”). I also let him know that I would be saying things like “no,” “stop,” etc. and that those directions should be ignored during the scene.     

I’m normally a very obedient sub, but I do like to fight back in CNC scenes. I wanted to intensify that aspect of this scene by hitting Vagabond harder and with more intention—as opposed to just flailing around—to both increase the level of struggle and fulfill some of his masochistic desires, so we decided it would be best to practice beforehand. This involved him giving me a lesson on how to hit him hard in the chest and me practicing on him repeatedly over the course of an evening.

Biting, scratching, slapping, punching, hitting, choking, and hair pulling would all be up for grabs during the scene. Kicking was out as was anything involving injury to his balls or my breasts, which were extremely tender at the time due to hormonal changes. We were OK with marks or bruises as long as they wouldn’t require an explanation to other people.

Finally there was the matter of implements. Vagabond told me he wanted to use rope to restrain me during the scene as well as a knife to threaten me. We have a lot of experience using both of these, but we hadn’t used them in a CNC scene before.

Logistics. Initially, we thought about doing the scene on a weekday right as I got home from work, but ultimately we rejected this plan for a number of mundane reasons:

  • I ride the subway home, which means I have to touch germ-ridden poles, which in turn means I need to wash my hands as soon as I get home.
  • I generally wear dresses to work, none of which I want ripped or cut.
  • I’m usually starving when I get home and find it difficult to focus on other things until I’ve eaten.
  • Depending on what happened at work that day, either or both of us might need to decompress for a few minutes at the end of the day.

While boring, these are the kinds of logistical concerns you need to consider. After thinking it through, we decided it wasn’t practical for Vagabond to attack me right as I walked in the door. Instead, we decided to do the scene on a kid-free weekend when we knew we wouldn’t be stressed out from work or distracted by logistical nuisances.

Although we knew the scene would be happening in our apartment, we needed to determine exactly where. In the past, we had been somewhat limited by space, but we live in a bigger apartment now, so I was interested in starting the scene in the living room and moving to our bedroom. We have a strip of unobstructed space that divides the dining area from the rest of the living room, so we decided that this was where the scene would begin.

Given the proximity of our living room to our neighbors’ front doors, we also knew we needed to be fairly quiet at the beginning, particularly since one of those neighbors goes in and out of her apartment frequently to walk her dog. We agreed that we would keep the living room portion of the scene relatively short and that it would be limited to quiet grappling or other rough body play that wouldn’t involve loud noises. Vocalizations would be kept to a minimum.

Once we knew the landscape of the scene, we had to decide how to start it. I felt that I needed an opportunity to mentally switch gears beforehand as well as a clear indication that it was time to begin, so I proposed that I would take our recycling down to the basement of our building at an agreed-upon time and my return to the apartment would be the starting shot.

Since I knew it was likely my clothing would be ruined in some way during the scene, I opted to wear leggings and a t-shirt that I didn’t care about but were easy to get off and suitable to be seen in outside the apartment. Vagabond chose to wear jeans and a t-shirt because he felt it would lend credibility to the idea that he was so filled with lust for me that nothing could stop him from ravishing me, including pants that are difficult to get off when someone is fighting you.

Planning the exact moment when the rope and knife would make an appearance in the scene wasn’t really possible, but Vagabond decided to keep them within easy reach in the bedroom so that he could access them quickly once we moved there from the living room.

Because our CNC scenes typically involve a lot of struggle, which essentially functions as foreplay, actual intercourse doesn’t tend to last long since we’re both pretty excited and exhausted by that time. I do need lube, though, because I have vulvodynia, a chronic pain condition that can flare up during sex if there’s too much friction.

Orgasms are inconsequential to me in CNC because I find the scenes to be so fulfilling in every other way, so we didn’t plan to incorporate one for me in this scene. This meant that the scene would conclude once Vagabond came. Neither of us normally requires much in the way of aftercare, so we didn’t plan anything beyond snuggling and debriefing a little afterward.


The Scene

On a quiet Sunday evening, I changed into gray leggings and a t-shirt and told Vagabond I was taking the recycling downstairs. When I came back into the dimly lit apartment, my heart was beating fast in anticipation. I was standing next to my desk in the living room when he approached me and took hold of my arm. I immediately began twisting away while being careful to remain quiet. He wrestled me to the floor, where I continued to resist by hitting him on the arms and chest. He pulled my hair and tried to pin me down. Eventually, he grabbed my arms and dragged me across the hardwood floor to the hallway, then forced me up and half carried me to the bedroom where he threw me on the bed.

The scene intensified once we were in the bedroom, where we felt less inhibited. Vagabond grabbed a piece of rope and began trying to tie me down, but I fought back and squirmed away any time he attempted to pin me. I hit his chest, arms, and anywhere else I thought I could land a decent blow. I said “no!” repeatedly and asked why he was doing this to me. He showed no mercy as he continued to subdue me and wear me down. At one point, he handcuffed one of my wrists to one of his to limit my movement, but he realized he couldn’t be as rough as he wanted to that way, so he removed them after a couple of minutes.

He yanked my t-shirt down over one shoulder and wrestled a piece of rope around my torso, pinning my arms. He roughly pulled my leggings down to my ankles so that they would restrict my leg movement. Once I was bound, he pulled out the knife and held it to my throat while calling me a whore who was getting what I deserved. I knew not to resist at that point because a slip of the knife could be deadly, so I lay there whimpering while Vagabond slowly ran it over my skin. He set it on the bedside table after a few minutes and pulled off his jeans. I was panting and exhausted as he used the knife to cut my underwear off and squirted lube on my pussy. He tried to enter me, but I managed to wriggle my hips away to make it harder. I wasn’t able to keep him at bay for long, though. As Vagabond thrust into me, I felt the vestiges of my control slip away and I was completely present in the moment. There wasn’t much I could do to fight back at that point, but I did manage to bite him hard enough on one arm to leave a bruise.

He flipped me over onto my stomach and continued grinding into me as he pulled my hair and called me a cunt and a whore. When he came inside me a few minutes later, it was cathartic and electrifying at the same time. I immediately started crying—not unusual for me during or right after an intense scene. Vagabond untied me and hugged and kissed me. We snuggled for a bit and then cleaned up.

In the hours and days that followed, we discussed what we liked about the scene and what we wanted to improve upon. We both thought the scene was incredibly hot, but we realized afterward that we had forgotten to lower the shade in our living room when the scene began. Our apartment looks out onto other buildings, so if someone had seen us and decided to call the cops, we could have had a Rear Window situation on our hands. Not ideal. Vagabond also said that he would’ve placed more lube in more locations so that it could’ve been more accessible at different points during the scene. We both agreed that we wanted to figure out a way to incorporate an orgasm on my end next time—maybe forced orgasms or something along those lines. In the future, I also want to slap Vagabond in the face as part of my resistance. I’ve never slapped anyone before, so I’ll need to practice beforehand to feel confident doing it, just like I did with other forms of hitting before this scene. All things to look forward to!

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