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The switchy dance of dominance/submission and voyeurism/exhibitionism that’s established in season 1 of Killing Eve is amplified in season 2. Villanelle is alive, and rather than being furious at Eve for nearly killing her, she seems to view the stabbing as something that irreparably binds them together—the ultimate act of intimacy. But Villanelle isn’t the only female assassin in town now. Another woman, dubbed the Ghost, is also killing high-profile targets and has eclipsed Villanelle while she’s been recovering from her wound.
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